Artist Statement

I sculpt forms that exist between structure and collapse, searching for a language that gives shape to fragility and transformation. My ceramics echo fabric, folds, and grids, gestures that seem both precise and accidental, ordered yet dissolving. They are meditations on the balance between weight and delicacy, permanence and impermanence.

At the core of my practice is a fascination with clay’s ability to carry memory. Every fold, mark, and surface impression becomes a record of touch, a silent archive of tension and release. In fire, these gestures are preserved — movements frozen, softness made enduring.

My process is one of surrender and dialogue with the material. Clay resists, collapses, stretches, and holds; it asks me to respond, to adapt. This tactile exchange creates a space where control yields to transformation.

Through these works, I aim to create objects that are both sculptural and contemplative — forms that invite reflection on the universal cycles of change, collapse, and renewal. They are not representations, but presences: traces of fragility made permanent, reminders of the beauty that emerges when structure and vulnerability meet.